| Issue | Title | |
| Vol 7 (1981) | Roles and Players in 'Henry IV Part 1' | Abstract PDF |
| Anthony Miller | ||
| Vol 12 (1986) | Seamus Heaney | Abstract PDF |
| Pamela Law | ||
| Vol 42 (2016) | Sequences, Dreams and Cinema | Abstract PDF |
| Ian David | ||
| Vol 9 (1983) | Sex, Self and Society in 'Mansfield Park' | Abstract PDF |
| Giulia Giuffre | ||
| Vol 3 (1977) | Shakespeare and Italy | Abstract PDF |
| Mario Praz | ||
| Vol 14 (1988) | Shakespeare, Johnson, and Wolsey: A Community of Mind | Abstract PDF |
| Maurice J. O'Sullivan | ||
| Vol 11 (1985) | Shelley's "Dome of Many-Coloured Glass" | Abstract PDF |
| John Hardy, Nicholas Brown | ||
| Vol 28 (2002) | ‘Silence of another order’: Negativity and trope in the late poems of Sylvia Plath | Abstract PDF |
| Emma Jones | ||
| Vol 41 (2015) | Sir Walter Scott’s ‘Waverley’: A Literary Pivot Point Between Maria Edgeworth and George Eliot | Abstract PDF |
| Ryan Twomey | ||
| Vol 36 (2010) | Slapstick and Self-Reflexivity in George Herriman’s ‘Krazy Kat’ | Abstract PDF |
| Ben Juers | ||
| Vol 12 (1986) | Some Shakespearean Boxes ('Troilus and Cressida' V. i. 15-6) | Abstract PDF |
| A.P. Riemer | ||
| Vol 33 (2007) | Sotto Voce: Language and Resistance in George Eliot's 'Felix Holt, the Radical' and Elizabeth Gaskell's 'Sylvia's Lovers' | Abstract PDF |
| Sascha Morrell | ||
| Vol 26 (2000) | Sounds in print, worlds below: Seamus Heaney’s deepening words | Abstract PDF |
| Noel Rowe | ||
| Vol 9 (1983) | Stevie Smith and the Metaphors of Disengagement | Abstract PDF |
| Elizabeth Lawson | ||
| Vol 29 (2003) | Subject and Power in “Porphyria’s Lover” | Abstract PDF |
| Jennifer Gribble | ||
| Vol 33 (2007) | Superflux and Silence in Shakespeare's 'King Lear' | Abstract PDF |
| William Christie | ||
| Vol 40 (2014) | Surviving That Place: Language and Violence in the Poetry of Ingrid Jonker, Ingrid de Kok, Gabeda Baderoon and Phillippa Yaa de Villiers | Abstract PDF |
| Marian De Saxe | ||
| Vol 32 (2006) | Taking bearings: Elizabeth Gaskell’s 'North and South' televised | Abstract PDF |
| Margaret Harris | ||
| Vol 19 (1993) | Telling Questions in 'Absalom, Absalom!' | Abstract PDF |
| David Kelly | ||
| Vol 4 (1978) | Tennyson: Mood and Myth | Abstract PDF |
| Simon Petch | ||
| Vol 33 (2007) | 'Terrible' Transcendence? Hopkins' Dublin Sonnets as Flesh-Made-Word | Abstract PDF |
| Deborah Frenkel | ||
| Vol 4 (1978) | The Achievement of Auden | Abstract PDF |
| Peter Porter | ||
| Vol 7 (1981) | The Act of Love in Coleridge's Conversation Poems | Abstract PDF |
| William Christie | ||
| Vol 16 (1990) | The Alchemical Code in Marvell's 'To His Coy Mistress' | Abstract PDF |
| Lyndy Abraham | ||
| Vol 10 (1984) | The Allegory of 'Great Expectations' | Abstract PDF |
| Michael Haig | ||
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