|
Issue |
Title |
|
Vol 7 (1981) |
Roles and Players in 'Henry IV Part 1' |
Abstract
PDF
|
Anthony Miller |
|
Vol 12 (1986) |
Seamus Heaney |
Abstract
PDF
|
Pamela Law |
|
Vol 42 (2016) |
Sequences, Dreams and Cinema |
Abstract
PDF
|
Ian David |
|
Vol 9 (1983) |
Sex, Self and Society in 'Mansfield Park' |
Abstract
PDF
|
Giulia Giuffre |
|
Vol 3 (1977) |
Shakespeare and Italy |
Abstract
PDF
|
Mario Praz |
|
Vol 14 (1988) |
Shakespeare, Johnson, and Wolsey: A Community of Mind |
Abstract
PDF
|
Maurice J. O'Sullivan |
|
Vol 11 (1985) |
Shelley's "Dome of Many-Coloured Glass" |
Abstract
PDF
|
John Hardy, Nicholas Brown |
|
Vol 28 (2002) |
‘Silence of another order’: Negativity and trope in the late poems of Sylvia Plath |
Abstract
PDF
|
Emma Jones |
|
Vol 41 (2015) |
Sir Walter Scott’s ‘Waverley’: A Literary Pivot Point Between Maria Edgeworth and George Eliot |
Abstract
PDF
|
Ryan Twomey |
|
Vol 36 (2010) |
Slapstick and Self-Reflexivity in George Herriman’s ‘Krazy Kat’ |
Abstract
PDF
|
Ben Juers |
|
Vol 12 (1986) |
Some Shakespearean Boxes ('Troilus and Cressida' V. i. 15-6) |
Abstract
PDF
|
A.P. Riemer |
|
Vol 33 (2007) |
Sotto Voce: Language and Resistance in George Eliot's 'Felix Holt, the Radical' and Elizabeth Gaskell's 'Sylvia's Lovers' |
Abstract
PDF
|
Sascha Morrell |
|
Vol 26 (2000) |
Sounds in print, worlds below: Seamus Heaney’s deepening words |
Abstract
PDF
|
Noel Rowe |
|
Vol 9 (1983) |
Stevie Smith and the Metaphors of Disengagement |
Abstract
PDF
|
Elizabeth Lawson |
|
Vol 29 (2003) |
Subject and Power in “Porphyria’s Lover” |
Abstract
PDF
|
Jennifer Gribble |
|
Vol 33 (2007) |
Superflux and Silence in Shakespeare's 'King Lear' |
Abstract
PDF
|
William Christie |
|
Vol 40 (2014) |
Surviving That Place: Language and Violence in the Poetry of Ingrid Jonker, Ingrid de Kok, Gabeda Baderoon and Phillippa Yaa de Villiers |
Abstract
PDF
|
Marian De Saxe |
|
Vol 32 (2006) |
Taking bearings: Elizabeth Gaskell’s 'North and South' televised |
Abstract
PDF
|
Margaret Harris |
|
Vol 19 (1993) |
Telling Questions in 'Absalom, Absalom!' |
Abstract
PDF
|
David Kelly |
|
Vol 4 (1978) |
Tennyson: Mood and Myth |
Abstract
PDF
|
Simon Petch |
|
Vol 33 (2007) |
'Terrible' Transcendence? Hopkins' Dublin Sonnets as Flesh-Made-Word |
Abstract
PDF
|
Deborah Frenkel |
|
Vol 4 (1978) |
The Achievement of Auden |
Abstract
PDF
|
Peter Porter |
|
Vol 7 (1981) |
The Act of Love in Coleridge's Conversation Poems |
Abstract
PDF
|
William Christie |
|
Vol 16 (1990) |
The Alchemical Code in Marvell's 'To His Coy Mistress' |
Abstract
PDF
|
Lyndy Abraham |
|
Vol 10 (1984) |
The Allegory of 'Great Expectations' |
Abstract
PDF
|
Michael Haig |
|
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