| Issue | Title | |
| Vol 20 (1994) | The Intertextualities of Ben Jonson's 'Volpone' | Abstract PDF |
| James Tulip | ||
| Vol 39 (2013) | ‘Their Death-Like Faces’: Physiognomy and the Uncanny in The Man of Feeling and The Old Curiosity Shop | Abstract PDF |
| Timothy Gao | ||
| Vol 16 (1990) | The Ironic Impulse in Keats: Three Poems | Abstract PDF |
| Geoffrey Little | ||
| Vol 23 (1997) | The Lady in the Frame: Two Portraits by Henry James and Jane Campion | Abstract PDF |
| David Kelly | ||
| Vol 37 (2011) | The Lesson of the Master: Learning and Cognition in 'What Maisie Knew' | Abstract PDF |
| John Attridge | ||
| Vol 25 (1999) | The Lyricism of Nick Carraway | Abstract PDF |
| David Kelly | ||
| Vol 18 (1992) | The Metamorphic Tragedy of 'Anthony and Cleopatra' | Abstract PDF |
| Anthony Miller | ||
| Vol 11 (1985) | 'The Mill on the Floss' as Moral Fable? | Abstract PDF |
| G.A. Wilkes | ||
| Vol 42 (2016) | The Mirror Shapes the Hand: Re-thinking the Representation of the Auteur in Campion’s 'Bright Star' | Abstract PDF |
| Helen Goritsas | ||
| Vol 20 (1994) | The Narrator of 'Brighton Rock' | Abstract PDF |
| G.A. Wilkes | ||
| Vol 3 (1977) | The Narrator of 'The Mill on the Floss' | Abstract PDF |
| Margaret Harris | ||
| Vol 5 (1979) | The New Shakespeare: Text and Performance | Details PDF |
| Derek Peat | ||
| Vol 6 (1980) | The Player Prince: Hal in 'Henry IV Part 1' | Abstract PDF |
| David Boyd | ||
| Vol 25 (1999) | The Plots of Othello: Narrative, Desire, Selfhood | Abstract PDF |
| Lloyd Davis | ||
| Vol 8 (1982) | The Poetry of Religious Paradox - T.S. Eliot and the Metaphysicals | Abstract PDF |
| A.P. Riemer | ||
| Vol 20 (1994) | The Promised End: Some Last Words on 'King Lear' | Abstract PDF |
| A.P. Riemer | ||
| Vol 20 (1994) | The Reader, The Interpreter and 'The Waste Land' Recycled | Abstract PDF |
| C.A. Runcie | ||
| Vol 21 (1995) | The Reluctant Voyeur: the spectator and the 'abject' in Gillian Mears' 'Fineflour' | Abstract PDF |
| Heather Neilson | ||
| Vol 32 (2006) | The Riddle of the Text: Sophocles’ 'Oedipus the King' | Abstract PDF |
| Terry Collits | ||
| Vol 5 (1979) | The Romanticism of 'Persuasion' | Abstract PDF |
| Penny Gay | ||
| Vol 41 (2015) | ‘These our actors’: Histrionics in Shakespeare’s ‘King Richard III’ and Al Pacino’s ‘Looking for Richard’ | Abstract PDF |
| William Christie | ||
| Vol 42 (2016) | 'The Silences': Process, Structure and the Development of a Personal Essay Documentary | Abstract PDF |
| Margot Nash | ||
| Vol 24 (1998) | The Spectre of Shakespeare in Tom Stoppard’s 'Rosencrantz and Guildenstern are Dead' | Abstract PDF |
| Benjamin Vonwiller | ||
| Vol 20 (1994) | The Stupefied Bystander: Complicity in 'The Taming of the Shrew'? | Abstract PDF |
| G.A. Wilkes | ||
| Vol 21 (1995) | 'The Tempest' and the Discourse of Colonialism | Abstract PDF |
| G.A. Wilkes | ||
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