| Issue | Title | |
| Vol 41 (2015) | The Tragic Story of Ian McEwan’s ‘Atonement’ and the Theory of the Grotesque | Abstract PDF |
| Jack Mitchell | ||
| Vol 26 (2000) | 'The Truman Show': an Everyman for the late 1990s | Abstract PDF |
| Margaret Rogerson | ||
| Vol 22 (1996) | The Uncomprehending Narrator in 'The Ancient Mariner' | Abstract PDF |
| G.A. Wilkes | ||
| Vol 24 (1998) | The Wife of Bath: Standup Comic | Abstract PDF |
| Margaret Rogerson | ||
| Vol 36 (2010) | ‘The Wire’ and Realism | Abstract PDF |
| Julian Murphet | ||
| Vol 17 (1991) | The Womanning of Cleopatra's Barge | Abstract PDF |
| Geoffrey Little | ||
| Vol 23 (1997) | 'The X Files': Entries on Meaning | Abstract PDF |
| Axel Kruse | ||
| Vol 30 (2004) | Thinking in Metaphors: Figurative Language and Ideas on the Mind | Abstract PDF |
| Antonina Harbus | ||
| Vol 27 (2001) | Thinking on Paper: Incompleteness and the Essay | Abstract PDF |
| Peter Marks | ||
| Vol 38 (2012) | 'This is the Word of God': Acceptance Theatre and the Validation of a Gay Religious Sensibility | Abstract PDF |
| James Marland | ||
| Vol 42 (2016) | ‘This, please, cannot be that’: the Constructed World of P.T Anderson’s 'Magnolia' | Abstract PDF |
| Kim Wilkins | ||
| Vol 7 (1981) | Thomas Hardy's Tess of the d'Urbervilles: faithfully presented by Roman Polanski? | Abstract PDF |
| Margaret Harris | ||
| Vol 33 (2007) | Tragedy Into Grace: Lincoln At Gettysburg | Abstract PDF |
| Susan Thomas | ||
| Vol 1 (1975) | Tragicomedy and Tragic Burlesque: Waiting for Godot and Rosencrantz and Guildenstern Are Dead | Abstract PDF |
| Axel Kruse | ||
| Vol 29 (2003) | Trampling out the Vintage: Revenge and Resentment in 'High Noon' | Abstract PDF |
| Simon Petch | ||
| Vol 23 (1997) | Tripping on the Light Fantastic: a bit of a look at Australian film | Abstract PDF |
| Adrian Mitchell | ||
| Vol 10 (1984) | Trollope's Letters | Details PDF |
| P.D. Edwards | ||
| Vol 19 (1993) | Troubled Speech: The Representation of Madness in Renaissance Drama | Abstract PDF |
| A.P. Riemer | ||
| Vol 35 (2009) | Troublesome Teleri: Contemporary Feminist Utopianism in Marion Zimmer Bradley's 'Lady of Avalon' | Abstract PDF |
| Jan Shaw | ||
| Vol 27 (2001) | True confessions? Ted Hughes’ 'Birthday Letters' | Abstract PDF |
| Barry Spurr | ||
| Vol 6 (1980) | Truth and Effect in 'The Duchess of Malfi' | Abstract PDF |
| F.H. Langman | ||
| Vol 26 (2000) | Truth, Fiction, and 'The Daughter of Time' | Abstract PDF |
| Geraldine Barnes | ||
| Vol 4 (1978) | T.S. Eliot as a Dramatist: A View of the 1960s | Abstract PDF |
| Robert Speaight | ||
| Vol 36 (2010) | Uncanny Carnage in Peter Weir’s ‘The Cars That Ate Paris’ | Abstract PDF |
| Rebecca Johinke | ||
| Vol 13 (1987) | Unconscious Motives in Jane Austen's 'Emma' | Abstract PDF |
| G.A. Wilkes | ||
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