Browse Title Index


 
Issue Title
 
Vol 41 (2015) The Tragic Story of Ian McEwan’s ‘Atonement’ and the Theory of the Grotesque Abstract   PDF
Jack Mitchell
 
Vol 26 (2000) 'The Truman Show': an Everyman for the late 1990s Abstract   PDF
Margaret Rogerson
 
Vol 22 (1996) The Uncomprehending Narrator in 'The Ancient Mariner' Abstract   PDF
G.A. Wilkes
 
Vol 24 (1998) The Wife of Bath: Standup Comic Abstract   PDF
Margaret Rogerson
 
Vol 36 (2010) ‘The Wire’ and Realism Abstract   PDF
Julian Murphet
 
Vol 17 (1991) The Womanning of Cleopatra's Barge Abstract   PDF
Geoffrey Little
 
Vol 23 (1997) 'The X Files': Entries on Meaning Abstract   PDF
Axel Kruse
 
Vol 30 (2004) Thinking in Metaphors: Figurative Language and Ideas on the Mind Abstract   PDF
Antonina Harbus
 
Vol 27 (2001) Thinking on Paper: Incompleteness and the Essay Abstract   PDF
Peter Marks
 
Vol 38 (2012) 'This is the Word of God': Acceptance Theatre and the Validation of a Gay Religious Sensibility Abstract   PDF
James Marland
 
Vol 42 (2016) ‘This, please, cannot be that’: the Constructed World of P.T Anderson’s 'Magnolia' Abstract   PDF
Kim Wilkins
 
Vol 7 (1981) Thomas Hardy's Tess of the d'Urbervilles: faithfully presented by Roman Polanski? Abstract   PDF
Margaret Harris
 
Vol 33 (2007) Tragedy Into Grace: Lincoln At Gettysburg Abstract   PDF
Susan Thomas
 
Vol 1 (1975) Tragicomedy and Tragic Burlesque: Waiting for Godot and Rosencrantz and Guildenstern Are Dead Abstract   PDF
Axel Kruse
 
Vol 29 (2003) Trampling out the Vintage: Revenge and Resentment in 'High Noon' Abstract   PDF
Simon Petch
 
Vol 23 (1997) Tripping on the Light Fantastic: a bit of a look at Australian film Abstract   PDF
Adrian Mitchell
 
Vol 10 (1984) Trollope's Letters Details   PDF
P.D. Edwards
 
Vol 19 (1993) Troubled Speech: The Representation of Madness in Renaissance Drama Abstract   PDF
A.P. Riemer
 
Vol 35 (2009) Troublesome Teleri: Contemporary Feminist Utopianism in Marion Zimmer Bradley's 'Lady of Avalon' Abstract   PDF
Jan Shaw
 
Vol 27 (2001) True confessions? Ted Hughes’ 'Birthday Letters' Abstract   PDF
Barry Spurr
 
Vol 6 (1980) Truth and Effect in 'The Duchess of Malfi' Abstract   PDF
F.H. Langman
 
Vol 26 (2000) Truth, Fiction, and 'The Daughter of Time' Abstract   PDF
Geraldine Barnes
 
Vol 4 (1978) T.S. Eliot as a Dramatist: A View of the 1960s Abstract   PDF
Robert Speaight
 
Vol 36 (2010) Uncanny Carnage in Peter Weir’s ‘The Cars That Ate Paris’ Abstract   PDF
Rebecca Johinke
 
Vol 13 (1987) Unconscious Motives in Jane Austen's 'Emma' Abstract   PDF
G.A. Wilkes
 
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