Issue | Title | |
Vol 30 (2004) | Varieties of Power in 'Antony and Cleopatra' | Abstract PDF |
Anthony Miller | ||
Vol 25 (1999) | Visions of Blindness: Narrative Structures in 'The Great Gatsby' and 'Snow Falling on Cedars' | Abstract PDF |
Monique Rooney | ||
Vol 18 (1992) | 'Volpone' and the Ends of Comedy | Abstract PDF |
Ian Donaldson | ||
Vol 21 (1995) | 'What think you of books?': Reading in 'Pride and Prejudice' | Abstract PDF |
Katherine Newey | ||
Vol 39 (2013) | When the Divine Lady becomes a Genius: The Journey from Joi to Lack in Courtly Love Poetry | Abstract PDF |
Jennifer Crone | ||
Vol 21 (1995) | Whose 'Middlemarch'? The 1994 British Broadcasting Corporation Television Production | Abstract PDF |
Margaret Harris | ||
Vol 17 (1991) | Wine Women and Song: 'Anthony and Cleopatra' Revisited | Abstract PDF |
A.P. Riemer | ||
Vol 16 (1990) | 'Wit' and 'Impertinence': The Elision of Class Difference in 'Pride and Prejudice' | Abstract PDF |
Alan Urquhart | ||
Vol 18 (1992) | Women and Violence in Dickens' 'Great Expectations' | Abstract PDF |
Judith Johnston | ||
Vol 28 (2002) | ‘Words before blows’: Civil and military in 'Julius Caesar' | Abstract PDF |
Anthony Miller | ||
Vol 15 (1989) | Wordsworth's Tintern Abbey: Inspiration or Aspiration? | Abstract PDF |
William Christie | ||
Vol 3 (1977) | Yossarian Haruspex: Some Observations on 'Catch 22' | Abstract PDF |
Don Anderson | ||
Vol 34 (2008) | 'You want some action for this dollar?': Gambling for the Plot in 'Pursued' and 'The Master of Ballantrae' | Abstract PDF |
Roslyn Jolly | ||
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