| Issue | Title | |
| Vol 32 (2006) | A Proximate Prince: The Gooey Business of 'Hamlet' Criticism | Abstract PDF |
| Liam Semler | ||
| Vol 22 (1996) | A Reflection on the 'Culture Wars': Harold Bloom, Gore Vidal, and the Resistance of the Philistines | Abstract PDF |
| Heather Neilson | ||
| Vol 36 (2010) | ‘A Romantic Musical Comedy’ for the Fin-de-Siecle: Branagh’s ‘Love’s Labour’s Lost’ | Abstract PDF |
| Penny Gay | ||
| Vol 15 (1989) | Aspects of Narration in 'Persuasion' | Abstract PDF |
| Michael Orange | ||
| Vol 28 (2002) | As unstable as the King but never daft (?): Texts and variant readings of 'King Lear' | Abstract PDF |
| Richard Madelaine | ||
| Vol 12 (1986) | A Testimonial from Wordsworth | Abstract PDF |
| W. Milgate | ||
| Vol 3 (1977) | Auden's Styles of Verse | Abstract PDF |
| Christopher Pollnitz | ||
| Vol 27 (2001) | Authorcidal Tendencies: Emma and less Clueless Approaches to Film Adaptations of the Canon. | Abstract PDF |
| Joel Gibson | ||
| Vol 12 (1986) | Authors and Authority in 'Lives of Girls and Women' | Abstract PDF |
| Margaret Harris | ||
| Vol 30 (2004) | “A vision fair and fortunate”: Ideology, Politics, and Selfhood in 'Julius Caesar' | Abstract PDF |
| Adrian Phoon | ||
| Vol 6 (1980) | "A World of Figures:" Language and Character in 'Henry IV Part I' | Abstract PDF |
| A.P. Riemer | ||
| Vol 34 (2008) | 'Becoming Jane': Adapting Female Authority | Abstract PDF |
| Dyalan Govender | ||
| Vol 32 (2006) | Behind the Scenes: Production, Animation, and Postmodern Value | Abstract PDF |
| Julian Murphett | ||
| Vol 13 (1987) | Ben Jonson and the Story of Charis | Abstract PDF |
| Ian Donaldson | ||
| Vol 13 (1987) | Bernard Shaw's Heartbreak House: The War in 'Neverland' | Abstract PDF |
| Axel Kruse | ||
| Vol 37 (2011) | 'Bloody Sunday': National Trauma and National Cinema | Abstract PDF |
| Jennifer Beckett | ||
| Vol 29 (2003) | Books and Covers: Reflections on Some Recent Australian Novels | Abstract PDF |
| Elizabeth Webby | ||
| Vol 31 (2005) | Books, Bras and Bridget Jones: reading adaptions of 'Pride and Prejudice' | Abstract PDF |
| Olivia Murphy | ||
| Vol 42 (2016) | Camera Stylo - Editor's Note | Abstract PDF |
| David Kelly | ||
| Vol 10 (1984) | Can Strether Step Into the Same River Twice? The Ambassadors as Meta-novel | Abstract PDF |
| Don Anderson | ||
| Vol 15 (1989) | Character and Circumstance in 'The Franklin's Tale' | Abstract PDF |
| Diane Speed | ||
| Vol 10 (1984) | Character and Voice in the Poetry of Browning | Abstract PDF |
| Simon Petch | ||
| Vol 9 (1983) | Chaucer's Pardoner in Performance | Abstract PDF |
| Stephen Knight | ||
| Vol 30 (2004) | Christian Perspectives in 'The Lord of the Rings' | Abstract PDF |
| Diane Speed | ||
| Vol 38 (2012) | Cinema's Autonomous Image in Michelangelo Antonioni and Francis Ford Coppola | Abstract PDF |
| Bruce Isaacs | ||
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