|
Issue |
Title |
|
Vol 16 (1990) |
Henry IV Part 1: Harmony of Contrasts? |
Abstract
PDF
|
J.P. Roche |
|
Vol 40 (2014) |
H. G. Wells’s Interwar Utopias: Eugenics, Individuality and the Crowd |
Abstract
PDF
|
Maxim Shadurski |
|
Vol 18 (1992) |
Identity, Self and Shadow in 'Little Dorrit' |
Abstract
PDF
|
Emma Hardinge |
|
Vol 10 (1984) |
Images Reflect from Art to Art; Pope's 'Epistle to a Lady' |
Abstract
PDF
|
Robert W. Williams |
|
Vol 18 (1992) |
Imagining Anthony and Cleopatra |
Abstract
PDF
|
R.L.P. Jackson |
|
Vol 21 (1995) |
'Impassioned Clay': Reading the Grecian Urn |
Abstract
PDF
|
William Christie |
|
Vol 35 (2009) |
In Dialogue with the Living and the Dead: Ted Hughes's 'Birthday Letters' |
Abstract
PDF
|
William Christie |
|
Vol 32 (2006) |
In Its Own Light: A View of the BBC's North & South |
Abstract
PDF
|
David Kelly |
|
Vol 7 (1981) |
Interpreting Henry IV: The Men in Buckram |
Abstract
PDF
|
A.J.A. Waldock |
|
Vol 23 (1997) |
‘In this last tempest’: Modernising Shakespeare’s 'Tempest' on Film |
Abstract
PDF
|
Anthony Miller |
|
Vol 26 (2000) |
Intimations of Feminism in Ancient Athens: Euripides’ Medea |
Abstract
PDF
|
Terry Collits |
|
Vol 23 (1997) |
Introductory Note |
Details
PDF
|
David Kelly |
|
Vol 19 (1993) |
Invading Interpreters and Politic Picklocks: Reading Jonson Historically |
Abstract
PDF
|
Ian Donaldson |
|
Vol 41 (2015) |
Invasion and Resistance in ‘Mansfield Park’, ‘The Wanderer’, ‘Patronage’ and ‘Waverley’ |
Abstract
PDF
|
Olivia Murphy |
|
Vol 42 (2016) |
‘It Is An Art That Cannot Live By Looking Back’: 'Dont Look Back', Performance, and the Revision of Direct Cinema |
Abstract
PDF
|
Keith Beattie |
|
Vol 26 (2000) |
It’s the body that matters: reticence and desire in 'Snow Falling on Cedars' |
Abstract
PDF
|
Peter Williams |
|
Vol 17 (1991) |
Jane Austen: The Novelist as Historian |
Details
PDF
|
Joanne Wilkes |
|
Vol 17 (1991) |
Jonson's Satire of Puritanism in 'The Alchemist' |
Abstract
PDF
|
Jeanette D. Ferreira-Ross |
|
Vol 29 (2003) |
J. R. R. Tolkien’s 'The Lord of the Rings': The Book, the Film, and Genre Criticism |
Abstract
PDF
|
Kim Selling |
|
Vol 41 (2015) |
Kath Walker (Oodgeroo Noonuccal), Judith Wright and Decolonised Transcultural Ecopoetics in Frank Heimans’ ‘Shadow Sister’ |
Abstract
PDF
|
Peter Minter |
|
Vol 12 (1986) |
Keats's Silent Historian: The "Ode on a Grecian Urn" |
Abstract
PDF
|
Joanne Wilkes |
|
Vol 17 (1991) |
Keats, Women, and the Demon Poesy |
Abstract
PDF
|
Deirdre Coleman |
|
Vol 37 (2011) |
Ken Kesey, David Ireland and a Portrait of Australian Freedom |
Abstract
PDF
|
Jessica Brooks |
|
Vol 41 (2015) |
Kenneth Slessor and Bertha Blither: Two Sides of an Australian Writer Between the Wars |
Abstract
PDF
|
Rod Grant |
|
Vol 27 (2001) |
'King Lear': Kinder Casts for Goneril and Regan |
Abstract
PDF
|
Phillipa Kelly |
|
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